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~ Jean Williams, Handweaver

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Monthly Archives: July 2014

Inspiration on the Trail

30 Wednesday Jul 2014

Posted by jeanweaves in Weaving Inspiration

≈ 2 Comments

Tags

creative inspiration, Weaving

Chimney Rock in Nebraska

Chimney Rock in Nebraska

Like many, we’ve been on the road over the past couple weeks. It wasn’t a planned vacation per se–we were helping someone move across country and along the way, there was some wonderful scenery.

Our path followed the old Oregon Trail from Missouri through Nebraska and on into Wyoming. We reached Chimney Rock about the time we needed to stretch and spent a pleasant half hour in the Visitor Center. (Note the sign in the foreground–needless to say, we stuck to the sidewalks!)

Popo Agie River in Wyoming

Popo Agie River in Wyoming

The transition from plains to semi-arid scrub to mountain impressed us “flat-landers” as my husband called us. I thought often of how the American Indians and the settlers viewed the land they lived in and passed through. We had the luxury of an air-conditioned vehicle and could travel from state to state within two days. It took them many hot, long days by foot, horseback, or wagon.

We stood in awe at the foot of bluffs and mountain streams. I could have sat for hours soaking in the rock formations, the colors, the sounds. The Sinks State Park in Wyoming is worth the visit. The Popo Agie River “sinks” below the surface for 1/4 mile before “rising” back up and along its way to the Wind River. It was a lovely outing close to where we were staying and a hint of the grandeur further on down the road. We didn’t get to Yellowstone or the Grand Tetons on this trip but we’ll go back many times, I’m sure.

Sinks State Park in Wyoming

Sinks State Park in Wyoming

Now that I’m home, I’m pondering how to translate all of that beauty into fiber. I’m not a tapestry weaver but nature still influences what I weave. The play of color across the cliff face, the expanse of sagebrush, the shape of rock formations, all of these will echo in my mind as I plan new projects. Hopefully I can share something of the area’s beauty through weaving.

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Unexpected Days Off

10 Thursday Jul 2014

Posted by jeanweaves in Uncategorized

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Results of Monday's winds

Results of Monday’s winds

This week had a stormy start here in the Midwest that left me with some unexpected days off from weaving. I did get another towel woven on the red warp on Monday and part of a double weave bookmark. At the end of the day, I loosened the tension on both looms and went upstairs as normal.

However, Monday night we had straight-line winds that knocked out the power and a good portion of a couple of our trees. So this week I’ve been outside picking up sticks, waiting for call-backs from tree companies and insurance, and basically waiting around until the power came back on and I could see enough to work downstairs. We are grateful no one was hurt here and our thoughts go out to others not so lucky in other parts of the Midwest and points east.

The power came back on late yesterday, so now it is back to work.

Loom Envy

02 Wednesday Jul 2014

Posted by jeanweaves in Craft History, Looms, Terminology

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Craft History, Early American Weaving, Loom, Weaving

Many years ago, I heard a well-known weaver speaking at a conference. He joked that whenever he wanted to change threadings, he just went out and bought another loom. At least I thought he was joking and all us in the audience laughed with him. But now I wonder if, indeed, he was just being honest.

You see one of the most time-consuming tasks of weaving is threading the loom. Each thread has to go through a heddle and a dent (a slot) in the reed (the beater). Patterns weaves like damask and double go through two heddles and the reed. Some warps have hundreds of threads. So for that conference speaker, it was more cost-effective to buy another loom than to keep rethreading every time he needed to change patterns. I don’t think I can make the same argument.

One alternative is to put on very long warps. For me, “very long” is defined as 20 yards. One of my friends routinely puts on 21 yards. Some weavers put on 50 or more yards. The longer the warp, the more fabric you can weave before you have to re-thread.  But what if I get bored with the pattern after 10 yards and there are 20 more to go? What if I get an order for something that needs that width, but there are 20 more yards to weave before I can change warps?

Loom threaded with damask, using drawloom shafts.

Loom threaded with damask, using drawloom shafts.

Earlier weavers had a solution for this. Their looms had pieces that could be interchanged. There are references in their records to “gears” which controlled the pattern. When they needed to weave an overshot coverlet, they put that “gear” into the loom frame and tied on a new warp. If they needed to weave dimity, they stalled that “gear.” So it sounds like they had a limited number of loom frames and multiple “gears” to weave the various patterns they offered.

I’ve tried to imagine what these gears were. I have an antique Newcomb loom which has a cast-iron device that changes the shed and advances the warp every time the beater is pulled. Is this what they are talking about? If so, it would be pretty heavy to change out when a new order came in. Or are they referring to the actual shafts with heddles? I can see bundling my threaded shafts and carefully rolling them up to preserve a threading, but it would work better if I kept the threads in the reed and bundled the reed with the shafts. That requires extra reeds.

All this discussion is really an attempt on my part to fend off “loom envy.” For the past year, I’ve vacillated about getting another loom. I’ve pretty much decided that it’s not necessary, but there are times when I really could use another wide loom. A girl can dream!

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